艺术史 TPO41-L3 Analyzing The Ownership Of Works Of Art

TPO41-L3

Analyzing The Ownership Of Works Of Art



  1. What does the professor mainly discuss?
  • A. The process art historians use to determine who created Renaissance artworks
  • B. Whether collaborative artworks are superior to those produced individually
  • C. The way that art was created during the Renaissance
  • D. The development of artistic individuality during the Renaissance
  1. According to the professor, what factors may have led to a Renaissance artist’s decision to hire assistants?
    [CHOOSE 2 ANSWERS]
  • A. The number of commissions an artist accepted
  • B. The scale of the project to be completed
  • C. The amount of money to be paid for the project
  • D. The amount of advice needed from other artists
  1. Why does the professor mention someone who painted animals in Raphael’s workshop?
  • A. As an example of how artists learned by painting real-life models
  • B. As an example of paintings that were copied from sculptures
  • C. As an example of how assistants specialized in different types of painting
  • D. As an example of how an assistant introduced an artistic innovation
  1. According to the professor, how is a building project like a ballet?
  • A. Strong leadership is necessary to coordinate the work.
  • B. Everyone needs to be aware of what the others are doing.
  • C. Everyone needs to be doing the same thing at the same time.
  • D. The result depends on the level of skill of each person involved.
  1. Why does the professor mention that in architecture, instructions were usually given orally?
    [CHOOSE 2 ANSWERS]
  • A. To emphasize that architectural designs were constantly changing
  • B. To demonstrate the extent of the collaboration between master architects and their assistants
  • C. To explain why there is little documentation for many projects
  • D. To stress the difficulty in determining any given artisan’s contributions to a project
  1. What does the professor imply about the process of producing architecture collaboratively?
  • A. It was a result of patrons’ believing in an architect’s individual genius.
  • B. It resulted in extra expense for the patrons.
  • C. It was simpler than producing sculpture collaboratively.
  • D. It often resulted in less innovation than the architect intended.



答案:
C AB C B CD D

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